The following podcast is intended for mature audiences. It may contain opinions and comments about Castlevania: Symphony of the Night that some might find offensive. Listener discretion is advised.
Symphony of the Night is considered by many to be one of the greatest video games of all-time. It's one of the pioneers of the Metroidvania genre (hence the name), and it's easily one of the games I've been asked to review the most over the years. I'd never played it before, so when it won our Patreon poll, I was excited. I love metroidvanias, I love retro games, this should be a lay-up, right??
Well, not exactly. I gotta be honest - I didn't love this game. Truth be told, I didn't like it very much at all. It looks great, it sounds nice. I respect what it did for a genre I love so much. But I found it, kinda boring. Tedious. And "the best part of the game" is hidden in the most obnoxious fashion possible. I, I just don't get why this game is so popular.
But my guest, Bradley McCue, does. He loves this game, which is why he was the perfect ying to my yang this week. I had no choice but to agree with some of the stuff he loved, and he had no choice but to come along with a few mechanics that I hated.
And I want to be clear. There's no Angry Adam this week. I don't rip SotN a new ass or anything. I respect its legacy, and I tried my best to show as much. But I don't like this game, and this week, I'm gonna tell you why.
And of course, before I completely ruin my reputation and RTG comes crashing down all around me, I run through another edition of the 'Remember The Game? Infamous Intro'!
This week, we talk about how damned good Sega Genesis soundtracks are. Were we better gamers when we were kids? And what's the best controller for the Nintendo Switch?
PLUS, we have another round of 'Play One, Remake One, Erase One', featuring three pre-SotN Castlevania games - Castlevania III: Dracula's Curse, Super Castlevania IV, and Castlevania: Bloodlines.
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